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    Adelaide weekend catch up

    June 9th, 2013

     

    Here’s a catch up for blogjune – or considering how I’m going, perhaps it should be dissected to blogju or blogne. A roundup of my very brief weekend trip to Adelaide for a friend’s farewell.

     

     

    I had some unexpected running practice at Canberra airport because I thought my flight had closed. It had not. I watched another Dawson’s Creek episode while I waited, which made me much calmer.

     

    On the plane, a man sitting in front of me reclined his chair and smashed into my head because I was leaning down to get my bag. I felt less calm. Why isn’t it common to have the courtesy to tell the person behind you that you’re planning on reclining your seat? I think I read this tip in The Penguin Book of Etiquette, or was it somewhere else, I’m unsure.

     

    I had a weird conversation with a flight attendant about whether vegans eat chocolate (yes, but only if it doesn’t contain animal products including dairy, gelatine, or sometimes honey).

     

     

    I arrived in Adelaide for the farewell party, and tried vegan cabbage rolls at Suzie Wong’s Room which were delectable. But then I haven’t tried regular cabbage rolls so I don’t really have a reference.

     

    I danced the nutbush outside a very noisy party at The Lady Daly Hotel. They didn’t see us through the window (the real dancers were inside through the glass doorway), which is lucky because we couldn’t really remember the moves.

     

    I met 2 chickens and patted 3 cats.

     

    Turner's "Venice, the Bridge of Sighs" - puzzle

    Turner is a puzzle

     

    I visited Zenda Vecchio (South Australian author), she is making steady (but painful) progress with her puzzle of Turner’s Venice, the Bridge of Sighs (exhibited 1840, oil paint on canvas (bought from Art Gallery of South Australia’s shop during the Turner from the Tate exhibition, which is now at National Gallery of Australia, but I’m not sure if they have the puzzles).

     

    We talked about Zenda’s upcoming book The Swan’s Egg, which is at the proofing stage – I’m designing the cover (I previously designed another of Zenda’s book covers – with the help of Wesley Hobday – see post on “Becoming Kirsty-Lee”, launched in May last year).

     

    Flowering Grevillea Mason's Hybrid in Adelaide.

    Grevillea Mason’s Hybrid, Adelaide

     

    I saw some beautiful plants, perhaps the loveliness of Grevillea ‘Mason’s Hybrid’ (previously sold as ‘Ned Kelly’ and ‘Kentlyn’) will rehabilitate my view of Grevilleas. If you’ve ever had to remove one, you’d understand my dislike of the genus. There was also an unwell honeyeater in our yard once that I tried to capture so that she could be seen by a vet or the ranger, and she was totally unreachable in the horrid Grevillea. The honeyeater died and I blamed the Grevillea. At least it provides a good spot for native animals and birds to hide from predators, even if the predator is trying to assist.

     

     

    It was nice to come home to Canberra Airport’s sculptures:

     

    ”People coming to Canberra ought to have their spirits lifted and be inspired on arrival in the national capital; this sculpture [Andrew Rogers’ “Perception and Reality 1”, 2012, bronze] will take their breath away. It’s a very, very powerful work.”

    (from Diana Streak’s article “Striking pose to alter perception of airport”, 3 April 2012, Canberra Times)

     

    …and I opened a gift from a friend, which is a terrarium kit! So now I know my plans for tomorrow.

     

     

     

    “Becoming Kirsty-Lee” book launch this Saturday

    Posted in Art, Book cover, Event
    May 25th, 2012

     

     

    Ginninderra Press have just published Zenda Vecchio’s second novel for adolescents, “Becoming Kirsty-Lee”.

     

    The book will be launched at Mount Barker Community Library (in the Adelaide Hills) at 1:30pm, this Saturday the 26th of May.

     

     

    "Becoming Kirsty-Lee" cover

    It tells the story of 13-year-old Kirsty-Lee coming to terms with her parents’ divorce and like all of Zenda’s writing, has lots of evocative and beautiful imagery:

     

     

    “It’s the end of autumn and all the leaves have changed colour.

    The liquidambars behind the house look like they’re on fire. They glow red and burgundy and copper-gold. Ash and I watch the leaves fall. They’re like butterflies dancing in the sun. They’re so brave. They’re dying and they know it but they go on with their dance anyway.


    Ash bends down and picks one up. He does it gently as if he knows it can still feel and the leaf, star-shaped in his hand, trembles as if it recognises him.” p. 32

     

     

    I designed the book cover, with patient help for the colours from Wesley Hobday.

    Find out all the details of the book launch from the Facebook event.

     

    “Becoming Kirsty-Lee” is now listed in Trove (library catalogue for all of Australia), and copies are for sale from Ginninderra Press.

     

     

    Zenda and I look forward to seeing you this Saturday!